Synopsis

Yuu finds herself learning why the word »assume« is spelled as it is when Toshio gives chase after her for a half kilo-yen bracelet meant as a gift for Creamy Mami; a very vocal intercession from Midori later, Yuu races off to Parthenon Productions where a props stevedore named Takahiro is carrying an awkward payload that includes a ten kilo-yen vase that becomes the primary fatality in the ensuing collision with Creamy Mami who has to perform a talk show in which the vase is to be utilized as a prop; upon having explained the dystopian epilogue of the damaged vase, Mami accompanying Takahiro on his job of cleaning building windows becomes the forum for her to be caught up in the moment and forget about the time while falling in love for the first time. For Yuu, celebrating the discovery of her first love is the last thing on Tetsuo and Natsume's minds as their savage castigation that night instigates the question of why she cannot remain as Creamy Mami forever so that there is no need for all the subterfuge and deception endemic to leading a double life; while normally supportive of Yuu wielding her powers as per her volition, Posi and Nega are astonished at Yuu abruptly rushing off into the night without them to lead Takahiro through a sort of impromptu immersion exercise with the piano. The ironic deus ex machina that helps Takahiro ultimately recover his groove is the very bracelet for which Toshio had body-tackled her earlier; a magical incantation and innovative concert later, Takahiro boards an eastbound airliner as an aspiring pianist.

My wonderful pianist

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